The Message Behind the Black Renaissance Project

Dec 11, 2024 | News

The Challenge

Kingston University design student Benny approached Maybrey Precision Castings with an innovative aluminium door handle concept that formed part of his final-year project. Having already produced a 3D printed prototype complete with the appropriate draft angles for sand casting, the initial objective was to manufacture a sample casting to validate the design.

Following the successful sample, Benny wanted to progress to a production-ready solution. As a student working within a limited budget, commissioning a professionally manufactured pattern was not financially viable, so he made the decision to manufacture the pattern himself at the Kingston University workshop.

To achieve a fully functional casting, the door handle required a hollow section at one end to accommodate the fixing mechanism. This introduced an additional level of complexity, requiring not only a pattern but also a correctly designed core box and core print arrangement to produce and accurately locate the sand core within the mould.

Our Solution

Working closely with Benny throughout the project, our technical team provided guidance at every stage of the tooling design process. Through a series of video calls, we discussed the complete pattern design, including impression layout, moulding box size, pattern orientation and the overall setup required for successful production.

Particular attention was given to the design of the core box and core prints. We explained how the positive core print on the pattern and the corresponding negative feature within the core box would accurately locate the sand core during mould assembly, ensuring the finished casting incorporated the required hollow section.

Using this guidance, Benny produced the complete pattern and core box design in CAD before submitting it to Maybrey Precision Castings for technical review and approval. Once approved, the tooling was manufactured at the Kingston University workshop.

Collaboration and Delivery

With the tooling complete, Benny visited our foundry in Aylesford, where he experienced the complete sand-casting process first-hand. Working alongside our experienced foundry team, he was shown each stage of production, from mould preparation and pattern setup through to core placement, aluminium melt preparation and the pouring of the moulds.

This collaborative approach enabled Benny to see how design decisions made during the development phase directly influenced the manufacturing process, providing valuable practical experience that cannot be gained in a classroom environment alone.

The Result

The finished aluminium castings met the design requirements and demonstrated a successful transition from concept, through tooling design, to completed cast components.

Benny was delighted with the finished door handles, which were exhibited at Kingston University's end-of-year showcase. The quality of his project led to his selection to exhibit at the prestigious New Designers Show in London, where emerging designers from across the UK present their work to industry professionals.

This project demonstrates Maybrey Precision Castings' commitment to supporting innovation and developing the next generation of engineers and product designers. By sharing our technical expertise and working collaboratively throughout the design and manufacturing process, we helped transform a student's concept into a professionally manufactured product ready for national exhibition.

Whether restoring history, supporting innovation or creating something entirely new, Maybrey Precision Castings combines traditional foundry craftsmanship with modern engineering expertise to turn ambitious ideas into exceptional castings.

When a casting commission arrives at Maybrey, it usually comes with a drawing, a specification, and a delivery date. The Black Renaissance project arrived with something more: a brief that carried the weight of history.

The Equal Justice Initiative

The Black Renaissance sculptures were commissioned by the Equal Justice Initiative, the Alabama-based civil rights organisation founded by Bryan Stevenson. The EJI is best known in the UK for Stevenson's book and film Just Mercy and for the National Memorial for Peace and Justice in Montgomery, Alabama: the first memorial in the United States dedicated to the victims of lynching. The Freedom Monument Sculpture Park, where the Black Renaissance sculptures now stand, is the EJI's next major undertaking on the same site.

What the Project Represents

The park is dedicated to exploring the lived experience of the millions of Black people enslaved in America, honouring their courage and resilience, and celebrating the contributions that history so often failed to record. The Black Renaissance series, conceived by artist Rayvenn Shaleigha D'Clark, does exactly what its name suggests: it asserts the presence, the creativity, and the humanity of people whose stories were systematically suppressed.

The five sculptures depict anonymous figures: not named individuals but composite representations of the unnamed. Each is unique. Each carries the detail and dignity that the historical record too often denied the people it represents.

Why It Matters That These Castings Were Made in Bronze

Bronze is the material of monuments. It is the material that says: this matters, this should last, this should be seen by people who are not yet born. The choice to cast the Black Renaissance sculptures in silicon bronze was not incidental. It was an assertion that these figures belong in the landscape of permanent public art, on equal terms with any other monument.

Producing those castings at the technical standard the work required was, for our team, a privilege. We are a foundry that has been making things for 177 years. The Black Renaissance project reminded us that what we make can matter beyond the technical specification.

Read how we cast the Black Renaissance sculptures

Read about the artist's process

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